"One day, somebody´s going to have to make a stand.
One day, somebody's going to have to say:
'enough'."
Now the planning suddenly turned pretty difficult. I have a preliminary idea of a man pushing a stone, and in a small brake he complains about the situation to his colleague.
I first planned to do the blocking but I don't know where to start. In this scene there is not much movement (in my mind), most of the acting is facial. So is the blocking necessary?
I also planned to bring another character to the scene, to whom he could be pointing his outburst.
I'm trying to plan the camera-angles and the stone to make a good composition, but the still rigid characters are not helping. They are not yet giving anything to me. With drawings it's probably easier to get the poses to reflect my idea a bit easier.
But while I've been drawing, I've been planning the exact camera-angles. Maybe that's the wrong approach. I could forget the camera and composition and just try to draw the feel of the situation. In an angle that gets everything to the picture. This way I could only concentrate on the base of the scene. After I get a grip of the idea, only after this I should start planning the angles and animation.
Yes. Good. I'll update the list and see where it takes me.
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